Hey everyone, and welcome to a special edition of Case A The Mondays!
As a slight change of pace I would like to share a more in depth look at my work process. I'm often asked what my process is like, so I thought now would be a good opportunity to share my not-so-secret-secrets with you. If you are unfamiliar with my blog or you're a new fan of my work, then you might think my work is 100% rendered digitally. If this is the case then I have successfully fooled you! To be honest, I'm a traditionalist at heart. Before I even consider launching Photoshop and/or Illustrator I'm getting down and dirty with my inks and brushes. Although I consider myself a "digital illustrator" because my finish medium is digital, I choose to beginning every piece with traditional media because I'm in love with the idea of blurring the lines between digital and analogue techniques. There are certain techniques and characteristics that are difficult (but not impossible) to mimic digitally, and vice versa. In this post I'll be discussing a few of my rituals using my latest piece CatTube as my example. Let's begin!
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| Step 1: inky inks! How do you like the GIF slideshow? |
There is a certain quality about Indian ink I love in my own work, and as you'll see a little later, the thickness of the ink really allows me to distort/destroy those perfect edges. Also while I paint I try to think ahead to how many different layers I'll need to assemble in Photoshop, so I paint on several sheets of paper to save time on separating the layers later (which can be a real life saver if your teeny-tiny MacBook is on the brink of combustion when just checking your email, hahaha, sigh).
Next is my favorite chapter in my process: distressing my ink drawings. This is where I get to have some real messy fun, and create those typical Sam Singh splatters and scratched, or "happy accidents" as I like to call them.
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| Step 2: FUN TIME! |
Everything from scratches, drips, creases, and textures are created by hand then scanned and touched up as I work in Photoshop. I also download free high quality brushes and plugins from the internet. To be honest, I sometimes stay away from downloadable brushes because it's so easy to get caught up with the pretty, glowing, swirly, cheesy, lens flaring, three dimensional plugins. Don't get me wrong, those plugins and brushes have their place (just not in my work, hahaha). Here are 3 really great links I usually turn to first for free downloads:
This is an amazing website with thousands of downloadable high res textures. I can't tell you how many hours I've spent just browsing through all that good stuff in each gallery. You can make really great custom brushes from textures too :)
Lots of great quality brushes can be found here. I'm a little more attracted to the grungy stuff, but there's a little something for every taste here!
Love this blog! BittBox offers a wide selection of textures and brushes, and most of it is FREE! Definitely worth checking out.
Finally we've arrived at the final phase. Here's where it all comes together. Although I stress how vital it is for me to begin each piece traditionally, I spend just as much time in Photoshop as I do painting, sometimes more.
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| Step 3: put it all together. Look at that colour fly! |
Most of my efforts are spent messing around with colour and tone. Sometimes if I'm really struggling with colour combinations, I make a black and white copy of my file then push and pull the tones until there's enough variation. The biggest luxury to working digitally is the freedom to experiment with colour and composition so rapidly.
As you can see, I went through a few variations before I redrew the hands seen in the final. Side note: I really like drawing hands! I also left out the construction of the laptop because I built it in Illustrator a while back for another project, but changed the perspective for CatTube. Recycling feels good :D
Well I guess that covers everything. Thanks for making it to the end! I hope you found this post useful, or at least enjoyed the GIFs :) I really enjoy sharing stuff like this, and hopefully for my next post I'll have some new stuff to show. My current project is still under works so I can't reveal much to you, but it's a series of portraits of famous Black women. Why am I doing this you might ask? No particular reason. Just for fun is a good enough reason right? I'm hoping to add a new portrait section to my website once the series is over, so we'll see how that goes :)
Cheers,
Sam